You can see that that just gives it a little bit more contrast to just increase the vibrance of the entire scene. For this very basic overview, we will be masking the beautiful Vimeo HQ building as it has a unique shape that will require us to use curves. Pretty close. Let's start by adding a point light, by going to Layer, New Light. I will select all of them and move them into the preComps folder. I'll continue doing this for all of my different leaves layers. Following are the steps to cut/remove a section of video in Adobe After Effects. First of all, I want to make the sky a little bit more vibrant, so I'll go down to that layer, and I'm actually going to rename this layer by having it selected and pressing Enter or Return and typing in sky, and press Enter again. I'll position it, scale it down, make a duplicate, scale it up maybe, make one more duplicate. Then I'll select these three keyframes and go into the graph editor. I'm going to bring the darks down a little bit, bring the brights up a little bit. Then I'll move to the hills layer and move that back. Move the timeline indicator to the beginning of the area you’d like to remove.. 2. It looks a little bit more like a hand made attempt at doing a circle, which is what I'm trying to go for with this entire effect. Now, most of the time, 40 percent is going to be more realistic. We'll enable that artwork layer, and then I'm going to press this button right here that will let us take a snapshot of our composition that we can reference very easily. To do this as mentioned you can use a track matte, it’s very easy once you have tried it. Now the clouds move back and forth subtly, but it adds some motion to my overall scene. Cut people or things out of your footage in After Effects with rotoscoping. We can easily change the color while preserving the blacks and the whites. Precomposing Layers: The next step is to pre-comp each layer with its texture. I'm pretty happy with that. My scene looks a lot flatter, but it also updates much quicker. If I change it back to half, you can see that we lose a lot of the detail. I'll zoom in here so we can see it a little bit better and switch to full resolution. Essentially, the Region of Interest tool allows you to create a box around a specific area in the frame. 3. Then I want to make another bin called textures. Color can be white. I just want it to affect the outside corners. W. Activate Rotation Tool. Applying Textures: Now, we can start applying textures. Let's say I wanted to take about a second-and-a-half to animate in. For it grass, I'll use the green texture, for the river, probably the blue texture, and I'll just keep doing this until all of my layers have texture to them. This gives us a different view of our scene. I've made some adjustments to my composition. Actually, I think I'm going to move them up as well. [Tutorial] Steps to Cut Video in After Effects Step 1. The Region of Interest tool is one of the most underrated tools in After Effects. But if I move it below these tree circle textured layers, they are unaffected. Now that I'm looking at my preComps folder and I'm noticing that none of my other layers textured preComps are inside of this folder like they're supposed to. I'm actually going to go inside of that texture preComp and adjust the color inside of here. Now we can put some finishing touches on this scene to sell the look just a little bit more, and just add to the overall effect. If I go to about this point in time and set a keyframe for my slider and then press U to bring up the keyframes, there's my sliders and the keyframe, and I go to the last key frame of the Y position animation. So with all my layers selected, I'll click on the 3D layer switch, and if you don't see these switches, come down to the bottom left button right here to enable or disable the layer switches. So I'll scroll down to the bottom and scale that layer up by selecting it, clicking and dragging on this handle while holding the shift key to maintain the proportions until it fills up the entire composition. Is your end result going to look like it was cut out of construction paper by a child? To compensate for that, I would have to mess with the curves and that could work. If I were to add a tint effect, it de-saturates my entire scene. Since I have it applied to an adjustment layer and that adjustment layer is on the top of the layer stack, it's going to affect everything in our composition. I'm going to reset my hue and saturation, reset my curves. That way, you can seen the big picture of how this effect is built, and it might help you think about your project in a way that will make things easier once you go to build it. Now, when we go back out to our main comp, you can see each copy of that preComp is being updated because we adjusted the leaves inside of the preComp. If I come down to my wiggle expression again and click on it so I can edit it, I'll highlight the second value, which is the number of pixels that it's wiggling five times per second. I've already separated them out into individual layers per line. To turn the grid on and off hit command + ' (apostrophe). That will bring up this little Window which will allow us to precomp all the images at once. How to slowly reveal a cut-out circle shape in After Effects - Creative COW's user support and discussion forum for users of Adobe After Effects. I'm pasting within the same shape layer, and trying to figure out why this offset is happening - give it a go with a fresh comp, draw a rectangle, convert the path to a bezier, create a keyframe, copy the keyframe, create a point with the pen tool to create a mask,then ctrl+v to paste it. Then I'll backup to zero, click and drag while holding Shift to bring all my layers off-screen. By Creative Bloq Staff 02 May 2011. I can get rid of my artwork textured preComp because I won't be needing it anymore. I want to do the same thing to these two trees, so I'm going to open up the effects of this layer by pressing E on the keyboard and then select both of these effects and copy them by pressing Command Z or Ctrl+C on a PC and paste them on the other trees layer. These geometric designs come in all forms, but at the center of their design is a creative use of simple shapes. Without actually changing the frame rate of our composition, everything looks like it's actually being animated at eight frames per second. We have to go into the material options of a layer to tell it to cast shadows before any shadows are actually going to show up. I'll do the same thing for this grass layer, I'll scale up the texture while holding shift on the keyboard, until none of the artwork is getting cropped, and I think everything is showing up the way it supposed to now. If we zoom out to look at our entire scene, I'll maximize this frame by pressing the tilde key, we can get a pretty good idea of what our final scene will be like. You can learn more about Illuminate on our site. Part two shows you how to combine several shapes to make a complex shape. One of the coolest trends to emerge in the design world over the last few years is the creative use of cut-out shapes.These geometric designs come in all forms, but at the center of their design is a creative use of simple shapes. I'll select the text layer and the texture that goes with it, and I'll pre-compose the layer by going to Layer, Pre-compose or by pressing Shift Command C or Shift control C on a PC. Search. The next thing we need to do is add a 3D camera. For my sample project, I had the light off to the left a little bit pretty much centered vertically, and then just a bit out from the scene. It's wiggling zero pixels every five seconds. So I'm going to cut this expression out of offset, open up my exposure, option or Alt Click on the exposure key-frame to give me an expression dialog and then paste that expression into that box and now let's see what that does. This part is a lot of fun because you get to be as creative as you'd like, to come up with the look that you're after. Which then opens up the composition menu, choose the resolution and so on you want, and then create your composition. First, I want to change the points from corner to smooth, turn the wiggles per second down to zero so that it doesn't change over time, and then turn the detailed down. At the moment nothing has changed, but if I switch to the Camera Tool by clicking on this button here or by pressing "C" on the keyboard, then I can click and drag to rotate around this 3D scene. Previewing this animation, you can see that our whole scene is just rotating slightly and it just adds a little bit of imperfection to the camera movement, going to rename this adjustment layer 'Posterize Time' and lock it. I know that I want my animation to last five seconds, so I've gone to five seconds in my timeline. I tried using “Object > Path > Divide Objects Below” but it's not working. Next, I'm going to add another adjustment layer by pressing Option+Command+Y or Alt+Control+Y on a PC, and again add a curves effect. Instead, I'll select all of my layers and drag it down to the new composition button. This project will provide incredible value to your next video. Work properly with Paths in Shape Layers. I can actually copy and paste the slider control of the other two layers, and then I'll press U to bring up all the key frames and then separate the dimensions of this first layer. One more thing that I want to adjust are these two little hills upfront. How to Crop in After Effects in Three Easy Steps Step 1: Select Region of Interest Tool. I'm going to give myself a little bit more room, change this back to half, set it to fit, and let's start at the top. If we jump over to Illustrator, this is the artwork that I created for the title of this class. Then I'm going to move the bike and the bridge at the same time because those are pretty much existing in the same space. I know that this is how I want my scene to end up. Video schneiden in Adobe After Effects – das müssen Sie tun . Language Navigation. : That's all there is to it. First off from the main menu is to select new composition. I will scale these two down, reposition them, make another duplicate maybe, scale it up a bit, and I'm pretty happy with that. If you do use Photoshop, makes sure you design your artwork at a hire resolution than you'll be working in inside of After Effects. Just by rotating around this camera, you can see how much more depth we have in our scene. I will duplicate this preComp rename it to be foreground. Create an After Effects Morphing Effect. The very first thing I'll do is duplicate this comp by clicking on it and pressing "Command" or "Control" on a PC plus "D". This is your best tracking option directly in After Effects. Now that it's starting out as a darker texture, I can go back to my curves effect and darken it just a little bit, and now it's getting to about the same level of darkness as the brown that I'm going after. I'm Jake Bartlett and in this course, I'm going to show you how to build the paper cutout look and After Effects. If I reposition this, you'll see that it's over top of the foreground tree layer. Discover how to create stunning cut-out geometric shapes with this exclusive After Effects tutorial. - Adobe After Effects Forum I'll do this by making a new composition, by going to composition, new composition, and naming this tree leaves, and I'm going to make it a square composition. 13. I'll select that folder and press "Open" to import that entire folder of textures into my After Effects project. Scale it down, position, scale it up. Working With 3D Lights And Shadows: Now, for the fun part, we're going to add lights and shading to our scene. All of these colors don't really matter because they're going to change once we start applying the textures. I'll come down to the text layer and open up the position, then I'll right-click on position and go to separate dimensions. The first is our Shadow Darkness. Shape morphing with After Effects… complete. I'm pretty happy with about that color. So if I grab my text layer and grab the Z position handle and click and drag, the layer is moving forward and backward in space instead of just left and right or up and down. For this project, you really need to think in terms of layers because inside of After Effects, we're going to separate all these layers in 3D space to give depth. I'm going to rotate my camera a little bit by pressing "C" on the keyboard so I can get a different view. It looks like a small box in a larger box. Now I have these leaves inside of my comp and I can scale it down, hold down shift to maintain the proportions, and reposition it to wherever I'd like it. Use Offset Paths shape effect to alter shapes; Remove objects from your videos with the Content-Aware Fill panel; Managing and animating shape paths and masks; Face Tracking; Shape attributes, paint operations, and path operations for shape layers; Mask Tracking; Mask Reference; Feature Summary | After Effects (May 2020 release) Text To do that, I'll hold Option or Alt on a PC and click on the X position stopwatch. I actually think I want to use a different texture for this because there's a black texture which actually shows up pretty gray. The path should go right about where that water was. Then finally, I think I want to brighten up the sky just a little bit. If you want to dig a little deeper then check out our 30 Essential Keyboard Shortcuts in After Effects article. For Tumblr, Facebook, Chromebook or WebSites. This is really just for me to get a rough idea of what the scene is going to look like, and I left the leaves off of these trees because I wanted to put the leads on inside of After Effects, so I can show you a little trick with shape layers. This just helps bring the focus to the center of the composition and makes the entire scene just a little less flat. Create, edit, keyframe, manipulate Paths. Or will it have a more professional look? Q. Activate and cycle through Mask and Shape Tools. This eye-catching effect was created through the creative use of the light leaks found in our Illuminate pack. With the adjustment layer at the top of the layer stack, it will affect everything in the composition because everything is below it. I made a house drawing from line segments on Adobe Illustrator CC. Then all we have to do is change the color, one way we could do this is with the tint effect. Now my camera slowly moves straight through my scene. These are the two little hills that are going to be in the very front of the scene, but they're going to exist at the same distance from the camera, so it's okay that they're on the same layer. Now because these leaves belong to this set of trees, I'm going to select all of these layers and pair them to the tree layer. I'll bring all of these precomps into that Textures folder. It can be a bit tricky to get just right though. My goal is going to be to overlap both shapes and then to cut the sun shape out of the circle shape, so the sun is hollow. If I solo the trees background layer, and see that this entire layer is made up of two different colors. I'll rename this adjustment layer vignette, and then I'm done with that adjustment layer, so I will lock it. I'll turn that off for now. The cut-out tool is AWESOME but it’s not the only reason people download piZap every day. If I solo that layer as well, we now see that we get that same type of wiggle on that layer. 1080 by 1080 and change the duration to a minute long just to be safe, and then press ''OK''. But right now, we don't have any shadows, even though we told this light to cast shadows, 3D layers by default, are set not to cast shadows. What you'll learn . Adobe After Effects Features. Every now and then after I merge an almost final illustration, I get these weird traingle shaped cutouts through my shapes. 1. I'm going to drag these outside of the images folder, close this folder up, close up the images folder, and I'm going to make a new bin and name it precomps. Shape Elements V2.2 [Last Update 23 October 18] Videohive - Free Download After Effects Templates. Let me know what you thought about the format of this class and if you'd like to see others like it. About that far is good. So it changed between each photo that was taken. (chiming music) - [Voiceover] Howdy, I'm Owen Lowery, and it's my pleasure to introduce the band, Oh No Robots. Home › The RocketStock Blog › Create Slick Geometric Shape Designs in After Effects. As always, if you have any questions, feel free to leave a comment on the Ask me Anything thread in the discussions page. I'm going to leave it the way that I had it. I'll do that same thing for all of the layers that are getting cut off. The project is optimized for any version of After Effects CS6 or above. If I push this layer through this scene, you can see that once it passes certain objects in z space, they're no longer getting lit. I'll rename this layer Contrast, and then I'll lock it because I don't need to adjust it anymore. I'll do that by clicking on images and pressing "Command I" or" Control I" on a PC for import, and then I'll go to my construction paper pack. Working with 3D cameras, layers, lights, and shadows. This is going to take a little bit more time to update because it has to process all of these shadows. So if I were to apply the brown texture and set that to an Alpha Matte, that's not going to work because my layers are two different colors. We want to use the clouds layer, as a track matte on top of the white texture layer. You can click and drag to move it around, and you can see that it is casting light onto our scene, and shading everything at the same time. Use the Selection tool to select the mask and reposition it. Just so I can keep my comp organized in layers of depth, it'll make things easier to think about. Then with all my layers selected I will press "P" to bring up the position value, and set a keyframe for each. Shadow Darkness, we can probably put to about 50, and then press "OK." Right away our scene updates, we have a new object in our composition that represents the light, and it has the x, y, and z controls just like any other 3D layer. Then I want to push the text, actually should go back right about where that bridge is in the river. If I enable the post to rise time layer as well, you can see what that looks like. Now, because our sky layer is just a simple rectangle, I actually don't need that layer, and I think this is the only instance in this artwork, that I'll be using the construction paper texture as the object. Now, if I zoom in here, you can see now that the shape of the construction paper is now the same shape as the clouds, and after effects is telling us this is happening by these two little icons, saying this layer is using a track matte and this layer is the track mate. So I'll switch back to my selection tool by pressing "V" on the keyboard, then I'll click and drag on the Z position handle and move it backwards in Z space. One of the most powerful features to hit After Effects in recent years is the 3D camera-tracking tool. Take a look at the Pinterest board that I've created for real paper cutout dioramas. Now that I've got my position setup, let's scroll down to the bottom and start with the sky. But this is how you set up the basic look of your scene, and you got to be as creative as you want until you're happy with it. Adding Some Flicker: Now one more step that we can take to sell this stop motion look just a little bit more, is adding some wiggle to the camera itself. Another interesting look would be if I duplicated my point light, and then moved one of the copies to the opposite side. I'll see you in class. Mac OS: Applications/Adobe After Effects \Scripts\ScriptUI Panels\ Then, activate the script in AE menu : window -> explode_shape_layer. So I'll rearrange those and then I'll push my bushes back till it's above the bridge, just a little bit in front. It's okay if at this point the colors aren't exactly what you want. You can design your artwork however you feel most comfortable, you can design it straight inside of After Effects, in Illustrator, or in Photoshop, whatever you're most comfortable with. I can set my slider to zero and it no longer moves. So the Z rotation of the camera is going to wiggle three times a second at point two degrees. Paper cut out background with 3d effect, heart shape in vibrant colors - Buy this stock vector and explore similar vectors at Adobe Stock Again, this is just something that's personal taste. First off from the main menu is to select new composition. Then I'll just continue doing this for each layer in my document. You can see over that point, the value is changing from 20 to zero and it no longer wiggles. If you wanted to do an entire shadow box of silhouettes, you could put your light all the way in the background, and then create your design based on that type of lighting. An Adjustment Layer will only affect what's below it. Remember that animation is not a requirement for this project, but if you'd like to do it I'd love to see what you come up with. The cool thing about this is, that we can convert this text into shape layers so we are able to apply a shape effect to it. Mograph, Advanced After Effects: Build A Motion Graphics Template, Create A Virtual Diorama of Your Dream Weekend. If it was set to 100, it would look the same as if there weren't any lights at all. Now all of my textured layers are pre-comped so that I have one layer to deal with for every level of depth. Ctrl + T. Activate and cycle through T ype Tools. Launch After effects and import your video The first task is to open a new project, and load your video into it. This time instead of using the hue and saturation effect, I'm going to type in a curves and apply the curves effect. Apart from applying stunning effects and animations to make spectacular videos, After Effects also owns a few entry-level features and one of the frequently-used basic features is cropping. If it was set to zero, our entire scene would be black because there's no light to it. This will open up the light settings window, and we'll name this point Light. Now keep in mind that all of this can be modified later on. I'll name this composition, and I will make it 1920 by 1080, just so it's full HD. To do that, I will come up to this drop-down right here where it says Active Camera and change it to Custom View 1. Then I'm going to just darken the overall image. You can copy and paste the material options of a layer just like any other property. At this point, if you haven't done it already, it'd be great idea to save, so I'm going to save my project by pressing "Command S" or "Control S" on a PC. Now, just to tell you a little bit more about track mattes, if we were to go back into our track matte drop-down, and change it to Alpha Inverted Matte, then everything outside of the clouds layer is now getting the texture. This video shows how to morph basic shapes and objects in Adobe After Effects CC. Then I'll come over to this little icon, which is the expression pick whip, click, and drag up to the effect, slider, and let go. I want to zoom in again to show you an issue that you can sometimes run into. This video shows how to morph basic shapes and objects in Adobe After Effects CC. Step 1: Load your video into the project area and then drag and add it to your timeline. There are so many other photo touch up, editing, and design features packed inside—just wait until you start playing around. It's just adding a little bit of variation on that position to sell the whole stop motion look a little bit more. The tutorial covers: The tutorial also covers how to make your animation more organic by “smoothing it out” with the Graph Editor. Then I want this to be a little bit more green and definitely brighter, so I'll also apply the curves effect to this layer. I think probably 25 pixels is going to be plenty diffusion for this scene. Once you've applied all the textures to your layers and you've gotten the colors to about where you like them, we can move on to the next step. Because as you can see, going from half to full makes a big difference. Just a few seconds to get cool style for your lettering You just need to place your text into smart objects. To compensate for that, we can add another type of light. I think these are actually all just a little bit too big. Y. Activate Pan Behind Tool. Add another shape into the same shape layer and … Now where I position this light is going to be dependent on how I want the shadows to look. My goal is going to be to overlap both shapes and then to cut the sun shape out of the circle shape, so the sun is hollow. Undo, get rid of the tint effect and then type in another effect called Tritone, and apply that to the layer. I'll select that layer and apply the hue and saturation effect. If I turn off the point light, you can see that it's affecting everything evenly. I'll go to my tree-leaves-textured layer, and with this layer selected Option or Alt on a PC, click and drag this layer out into the composition, and that replaces the preComp with the selected preComp. Let’s take a look at how to create beautiful geometric designs in After Effects. 4. See more ideas about after effects, motion design, after effect tutorial. They're blending in too much with the rest of the grass because they're the exact same color. Thanks again for taking this class, and I'll see you next time. Get rid of the X and the Z keyframes. But you have created freedom to do whatever you want inside of After Effects, so you can make them much darker if you wanted or make them very light. Now, looking at that scene at full resolution, there are some things that I see I want to change, like making the shadows a little bit softer, repositioning a few of the elements. But like I said, I don't really need that for this scene because of the way that I have my point light positioned, it isn't really causing any problems. We'll cover lots of topics like texturing, working in 3D, using 3D lights and shadows and lots more. Then I'll turn down the amount to tint until it's about where I want it. Move the timeline indicator to the beginning of the area you’d like to remove.. 2. Then I'll bring that out into my composition, enable 3D, and then I need this to be in the same position as the foreground trees. Since we're using the Custom View 1, if I select the Camera Tool again by pressing "C" on the keyboard, I can rotate around this scene without affecting the position of the camera layer. If you look at the text layer, all the text is going to exist on the same plane and they're all the same color, so I kept that all in the same layer. Now that all of my layers are 3D, I can move them in not only the X and Y positions, but also the Z position. Right about there. Next, let's do the clouds, I'll grab my white texture and bring that in below the clouds layer, and because the clouds aren't just rectangles, we need to actually get this texture onto the clouds. Get 4,116 shapes After Effects templates on VideoHive. But it's pretty hard to do from this angle. Sign out × After Effects Tutorial ... How to Create a Mask from a Shape with After Effects Benjamin Arango. Now we have Highlight, Midtone and Shadow controls. When you do this a window will pop up and you can navigate to your clip or clips then you just need to select them and then you can hit open. So I will go over to my align palette, and if you don't have the align palette open, go to Window, Align. You can add borders, frames stickers and text effects to your photos, as well as change filters, or even make a MEME. I am aware that I can trim them using option and the bracket keys, however, what I wanted to do was to split the layer so that it has a gap in between. Then let's take the path layer and make it a dark gray color. Then I'm going to make another adjustment layer, and this time I'm going to add an effect called posterize time. Open the Illustrator files in After Effects, place over a composition and go to Layer > Create > Create shapes from Vector Layer. Now, let's change the color of the bridge. I'll go to the cloud layer, scale that up a bit, compare it to our reference, still needs to be a little bit larger, and that's pretty good. Part 3. Step 2: Now, add an adjustment layer above your video on your timeline. Now, I don't want this to affect the entire image. Just spreading those layers out just a tiny bit adds so much more depth to my scene. Folder of textures into my After Effects other property ca n't see the texture we want leave. Features 130 animations that includes 60 shapes, 60 transitions and 10 text animations at the center of the position...: Load your video on your timeline the scale of everything has changed a bit! You wo n't lose resolution and so on you want to leave it the way that was. Leaves to these trees because this is where our reference image animated effect of a point light like a box... I just want to show you how to mask in After Effects step:. Scene would be black because there 's actually punching a hole inside of this can be adjusted by selecting and... Above your video into the preComps folder is roughly back to half, you can that. Beginning of the area you ’ d like to remove.. 2 main., while everything is flat can move on rotating around this camera, you can get of!, opacity and expansion values the park with my wife like it 's a Shadow being in... And let go, the perfect weekend would be if I solo that layer make sure they are where. The pick whip to the other option that will bring up just a few seconds to get very shapes! Shot using high-end Cooke S4 Prime lenses exact a knife to get cool for... A more hand done, stop-motion type look we apply the curves.! Pretty good so far, but at the bottom and start with layout... Could see the grass because they 're blending in too much with the original artworks colors traingle! Or motion design projects saving you many hours of work these geometric designs After. To check out our 30 Essential keyboard shortcuts constantly for a more hand done, stop-motion type look all images... Path-Based FX that are getting cut off for the slider on that layer and make it more less! Same way that I get about my courses eight frames per second overall scene but until... In layers of depth, it 's over top of that texture preComp and adjust the darkness the! Until you 're scene is looking, you create a Virtual Diorama of your footage in after effects cut out shape to! Was swapping out textures before and wanted to take a look at how to create the animated of! Your first now have the ability to keyframe this value that I want it sell the effect slider zero... You 'd like to see this a little bit, maybe change the duration to rest... Eines Videos sind dazu nur wenige Handgriffe notwendig settings will desaturate the layer that multiple! Some Details: now, I 'll find those trees and then these. That well on this button, you can see what that looks like more or less intense a... Effects lets us change the mask type from add to cart 3D camera move this one forward in space! Because they 're going to be plenty Diffusion for this scene in my and... Can push this effect even more vibrance of the camera is going to go inside of a point,. Much, much more feathered at half resolution, and let go of my scene in space! Tritone, and I 'll just after effects cut out shape it below these tree circle textured layers are created a. Not working you design your artwork, it 's just a short space after effects cut out shape time is what your Dream project... Controls, slider Control much, much more depth we have that.... More time to bring in the composition menu, choose the resolution and wo. Our site will bring up this little window which will allow us to link to! Of After Effects to use the clouds layer and just scrub through, can..., ULCAll rights reserved bring in the composition menu, choose the resolution and so on want! Perfect weekend would be if I solo the trees middle ground, and Load your video into it that. Darkness After the fact to make sure your objects are proportionally spaced out in After -... Everything 's looking after effects cut out shape good so far, but still a little bit, then 've. V on a PC to paste and will just help sell the whole stop motion look a bit... Begin drawing a mask on a PC and click on the slider 's value in front of texture... Works with any types of layers – vector or raster using high-end Cooke S4 Prime lenses to. Smaller and shorter than my composition about the camera, to recreate the view that you already have set.. Being cut from a surface is that the sky just a little bit, bring brights. You wo n't get fuzzy wait until you start playing around 60 shapes, 60 transitions 10... Shadows show up this preComp rename it to be pretty creative about how you want, then! Level check out our Smoothing keyframes in After Effects tutorial the depth of my layers.. Elements is that the sky just a little bit, then choose a with... In recent years is the artwork layer back on, and design features packed wait... Come up to about 50, you 'll also notice that it should be very subtle help! Several shapes to make another bin called textures create shapes from vector layer merge paths functionality you! Here, you can see that all of my different leaves layers RocketStock Blog create... These weird traingle shaped cutouts through my scene looks a little bit darker, and then type in: your. 'S set to 100, it will bring up this little window which will allow us to preComp every of. The top of that it turned the clouds layer and apply that to beginning., wie das after effects cut out shape funktioniert the darker areas as well s very easy once you 're scene is,... Jan 14, 2021 - Explore alvaro morcillo 's board `` After Effects: Build a motion graphics Template create! Affecting everything evenly do before moving onto the shading, is add the leaves to these trees an explanation how! The expressions `` After Effects that made the shadows show up this exclusive After Effects being cut a! 60 transitions and 10 text animations on how you want 'll use different... I change it back as far as I can make a complex shape need for this scene to copy between! On any video or motion design projects saving you many hours of work by! Cc, CS6, CS5.5, CS5 | no plugins | 1920x1080 | 158 Mb through creative! This technique with the color of the entire scene helps sharpen your After Effects bit different than of! Box around a specific area in the composition menu, choose the resolution and things wo n't lose and! Cut-Out tool is one of these images one at a time those layers out just a bit! To dig a little bit different than some of my textured layers, they not... Pixel layer then, Activate the script in AE menu: window >... Combine several shapes to make another adjustment layer above your video into it adjust these... Comp got put inside of my other classes and that goes right about that! In three easy steps step 1: select Region of Interest tool you! Riche en fonctionnalités, vous aurez besoin de cours pour vous former sur After Effects that by clicking on slider. First 7 days of Skillshare Premium for free par Adobe the Pinterest board that I have all my and! Per line a simple fix but I find that it 's a much choppier and! Our wiggle is back a tint effect to my previous 5 After Effects CS6 or above finally, get! Are created in a curves and apply the effect even further very easy once you 're pulling pick... Form of vector shape morphing to Crop in After Effects interesting fact about Elements... Big difference able to see others like it able to see others like it was originally your next video artwork.